
Red House, 6" x 6"
The image above was one of the first monotypes I pulled. Doesn't look much different than a painting, eh? I'm still figuring out how much paint to put onto the plate and clearly there was a lot on this one! However, I still love the result. Sure, I had to get out the trusty palette knives to smooth some of the major glops out and define an edge or two, but in the end, I love the image.
As yet, I don't have all the right equipment and inks and am just making do. I have been hand-pressing with my fingers, a spoon, a rolling pin, brayers; and, while that works, at some point (please Universe, soon!) I'd love to have my own etching press. There's a Richeson "baby" press out there that has my name on it!
And, I need a full suite of printing inks; I've decided to try the Charbonnel oil etching inks and when the wallet is a bit heavier, I'll run to the art store like a mad woman. So, mighty Universe, please hear my plea -- let's find new homes for some of my artwork asap. I'm just itching to make monotypes on a real press.
Also, until now, I have been pulling prints on dry printmaking paper. Upcoming experiments will be on damp paper. I'm intrigued to see how differently the paint transfers to the paper. That's another thing I need to put on the list -- more paper! My plan is to create small monotypes, in the 3" x 5" to 8" x 10" range, so thankfully the paper cost can be stretched due to the small sizes. I never knew how expensive good printmaking paper actually is!
It is so much fun learning something new and just playing.